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X-WR-CALNAME:PIANO WEEK International Festival & Summer School
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20180803T191500
DTEND;VALUE=DATE:20200731
DTSTAMP:20260429T135606
CREATED:20180513T165129Z
LAST-MODIFIED:20180606T142519Z
UID:3555-1533323700-1533323700@pianoweek.com
SUMMARY:Aisa Ijiri in Recital
DESCRIPTION:\n\n\n\n\nPERFORMER\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAISA IJIRI\n\n\n\n\n\n\n\n\n[mashshare]\n\n\n\n\n\n\nProgramme\n\n\nWilhelm Stenhammar (1871-1927)\nNights of Late Summer Op.33\nTranquillo e Soave \n\nCarl Nielsen (1865-1931)\nChaconne Op.32\n\n\nJohann Sebastian Bach (1685-1750) / Franz Liszt (1811-1886)\nPrelude and Fugue for Organ in a minor BWV 543\n\n\nFranz Liszt (1811-1886)\nAnnées de Pèlerinage\, Première année: Suisse S. 160Les Cloches de Genève: Nocturne \nBallade No. 2 in b minor S. 171 \n\n\n\n\n\n\n \n       \n\nDuration\nThis concert will last approximately 60 minutes\, with no interval.\n\nJapanese pianist Aisa Ijiri begins her programme with a movement from Swedish composer Wilhelm Stenhammar's Nights of Late Summer\, considered to be both an homage to his native Swedish landscape and a metaphor to the late summer of life. This is followed by one of Carl Nielsen's most well-known compositions\, Chaconne Op. 32\, an emulation of Bach's famous work for solo violin. Franz Liszt was also inspired by Bach's incredible body of work\, and in this transcription of his Prelude and Fugue for Organ\, the virtuoso pianist and composer stays true to Bach\, with the German style and various tempi. Two of Liszt's masterpieces follow in the second part of the concert. Firstly\, Les Cloches de Genève\, a movement from the first suite of Années de Pèlerinage\, written between 1848-1854 and considered one of his most important works from his Weimar Years\, culminating with the epic Ballade No. 2. \n\n\nBOOK TICKETS\n\n\n[AIGetTwitterFeeds ai_username='PianoWeekFest' ai_numberoftweets='3' ai_tweet_title='Your Title']
LOCATION:Moreton Hall\, Weston Rhyn | UK\, SY11 3EN\, Weston Rhyn
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