BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//PIANO WEEK International Festival &amp; Summer School - ECPv4.4.1.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:PIANO WEEK International Festival &amp; Summer School
X-ORIGINAL-URL:https://pianoweek.com
X-WR-CALDESC:Events for PIANO WEEK International Festival &amp; Summer School
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220726T121500
DTEND;VALUE=DATE:20200731
DTSTAMP:20260513T003109
CREATED:20220724T032705Z
LAST-MODIFIED:20220724T092903Z
UID:5728-1658837700-1658837700@pianoweek.com
SUMMARY:David Malusà in Recital
DESCRIPTION:\n\n\n\nPERFORMER\n\n\n\n\n\n\nDAVID MALUSÀ\n\n\n\n\n\n\n[mashshare]\n\n\n\n\nProgramme\n\n\nLudwig van Beethoven (1770 – 1827) / Franz Liszt (1811 – 1886)\nSymphony No. 5 in C Minor Op. 67 (S 464)\nI. Allegro con brio\nII. Andante con moto\nIII. Scherzo: Allegro\nIV. Allegro - Presto\n\n\n\n\nDuration\nThis concert will last approximately 60 minutes\, with no interval.\n\n\n\n\nFor his performance in London\, David Malusà has chosen one of the most technically and musically demanding pieces written in solo piano literature; Liszt’s transcription of Beethoven’s Symphony No. 5 in C Minor. Perhaps the biggest praise for this work came from Vladimir Horowitz when he admitted: ‘I deeply regret never having played Liszt's arrangements of the Beethoven symphonies in public – these are the greatest works for the piano – tremendous works – every note of the symphonies is in the Liszt works’. Nearly an entire century after their publication in 1865\, there have only been a handful of contemporary pianists (our guest artist Professor Leslie Howard is one of them) who have recorded all nine symphonies\, with Liszt’s own students largely abstaining from performing or recording them. To use musicologist Alan Walker’s words\, Liszt’s transcriptions ‘are arguably the greatest work of transcription ever completed in the history of music’. Having met Beethoven in person and heard performances of the symphonies by many of his contemporaries\, Liszt’s perspective and detailed knowledge of these works makes his transcriptions the best Urtext edition we can ever hope for. The Fifth Symphony with its Fate Motif seeped into popular culture unlike any other piece of classical music\, making it perhaps one of the most recognizable works around the globe. \n\n\n\nBOOK TICKETS\n\n\n[AIGetTwitterFeeds ai_username='PianoWeekFest' ai_numberoftweets='3' ai_tweet_title='Your Title']
LOCATION:Dulwich College\, London | UK\, Dulwich Common\, United Kingdom
ATTACH;FMTTYPE=image/jpeg:https://pianoweek.com/wp-content/uploads/2022/07/26-Jul-2022-matinee.jpg
END:VEVENT
END:VCALENDAR