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X-WR-CALNAME:PIANO WEEK International Festival & Summer School
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190722T193000
DTEND;VALUE=DATE:20200731
DTSTAMP:20260429T135546
CREATED:20190605T151926Z
LAST-MODIFIED:20190605T203512Z
UID:4402-1563823800-1563823800@pianoweek.com
SUMMARY:Grace Yeo in Recital
DESCRIPTION:    \n\n\n\n\nPERFORMER\n\n\n\n\n\n\nGRACE YEO\n\n\n\n\n\n\n[mashshare]\n\n\n\n\nProgramme\n\n\nRobert Schumann (1810 – 1856)\nArabesque in C Major Op. 18\n\nClara Schumann (1819 – 1896)\nDeuxième Scherzo in C Major Op. 14Romance in A flat Major Op. 11 No. 3\n\nRobert Schumann (1810 – 1856)\nCarnaval Op. 9\nPréambule\nPierrot\nArlequin\nValse noble\nEusebius\nFlorestan\nCoquette\nRéplique\nPapillons\nA.S.C.H – S.C.H.A: Lettres Dansantes\nChiarina\nChopin\nEstrella\nReconnaissance\nPantalon et Colombine\nValse allemande\nPaganini\nAveu\nPromenade\nPause\nMarche des Davidsbündler contre les Philistins\n\n\n\n\n\n\nDuration\nThis concert will last approximately 60 minutes\, with no interval.\n\n\n\n\n\n\nThe acclaimed Korean concert pianist Grace Yeo begins her all-Schumann recital with the famous Arabesque\, which written in a simple rondo form perfectly showcases the composers lyricism and reflective beauty. The opening theme repeats itself three times with contrasting episodes interspersed in between\, before ending with a typically Schumann-esque epilogue. Two works by Clara Schumann follow next\, her fiery Deuxième Scherzo demonstrating great bravura and virtuosity and a much more serene Romance. The performance reaches its emotional high point in Schumann’s Carnaval\, one of the most demanding works in the piano repertoire\, which consists of twenty short pieces depicting the festive season preceding Lent. A recurring motif runs throughout all twenty movements\, despite each one being entirely different in mood and character. Alongside other Schumann’s compositions\, Carnaval was at first considered ‘too difficult for the general public’ to quote the composer himself. Chopin was famously critical of the work\, stating that it was 'not music at all'. Ravel however did not share this opinion and went on to orchestrate it\, following other composers such as Glazunov and Rimsky-Korsakov. Despite its tremendous technical difficulty\, this masterpiece of piano writing remains one of Schumann's most performed works today.\n\n\nBOOK TICKETS\n\n\n[AIGetTwitterFeeds ai_username='PianoWeekFest' ai_numberoftweets='3' ai_tweet_title='Your Title']\n
LOCATION:Moreton Hall\, Weston Rhyn | UK\, SY11 3EN\, Weston Rhyn
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