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X-WR-CALNAME:PIANO WEEK International Festival & Summer School
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20180804T191500
DTEND;VALUE=DATE:20200731
DTSTAMP:20260429T125157
CREATED:20180513T172101Z
LAST-MODIFIED:20180606T142122Z
UID:3562-1533410100-1533410100@pianoweek.com
SUMMARY:Maiko Mori in Recital
DESCRIPTION:\n\n\n\n\nPERFORMER\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMAIKO MORI\n\n\n\n\n\n\n\n\n[mashshare]\n\n\n\n\n\n\nProgramme\n\n\nDomenico Scarlatti (1685-1757)\nSonata in b minor Kk.27\n \nSonata in G Major Kk.201\n\nSonata in E Major Kk.206\n\nSonata in A Major Kk.212\n\n\nLudwig van Beethoven (1770-1827)\nSonata No. 23 in f minor Op. 57 "Appassionata"Allegro assaiAndante con motoAllegro ma non troppo - Presto \n\nNikolai Kapustin (1937-)\nVariations Op. 41\n \n\nGeorge Gershwin (1898-1937)\nThree PreludesNo. 1 Allegro ben ritmato e decisoNo. 2 Andante con moto e poco rubatoNo. 3 Allegro ben ritmato e decisoRondo. Presto\n\n\n \n       \n\nDuration\nThis concert will last approximately 60 minutes\, with no interval.\n\nMaiko Mori begins her recital with the inventive imagination and character of four of Domenico Scarlatti's Sonatas. These are followed by one of Beethoven's greatest and most technically challenging piano sonatas\, the Appassionata\, which is certainly his most impassioned work and his most violent musical utterance. Kapustin’s Variations Op.41 follow next\, combining elements of jazz style with classical form. Kapustin regards himself as a composer rather than a jazz musician\, implying that all his improvisation is written out and not free jazz. The musical journey closes with another jazz-classical hybrid work\, Gershwin’s Three Preludes.  Each prelude is a well-known example of early 20th century American classical music\, influenced by jazz\, full of colour\, with rugged rhythms and exciting syncopations. \n\n\nBOOK TICKETS\n\n\n[AIGetTwitterFeeds ai_username='PianoWeekFest' ai_numberoftweets='3' ai_tweet_title='Your Title']
LOCATION:Moreton Hall\, Weston Rhyn | UK\, SY11 3EN\, Weston Rhyn
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