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PRODID:-//PIANO WEEK International Festival &amp; Summer School - ECPv4.4.1.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:PIANO WEEK International Festival &amp; Summer School
X-ORIGINAL-URL:https://pianoweek.com
X-WR-CALDESC:Events for PIANO WEEK International Festival &amp; Summer School
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20180729T191500
DTEND;VALUE=DATE:20200731
DTSTAMP:20260429T171622
CREATED:20180513T142710Z
LAST-MODIFIED:20180619T215737Z
UID:3516-1532891700-1532891700@pianoweek.com
SUMMARY:Mark Nixon in Recital
DESCRIPTION:\n\n\n\n\n\nPERFORMER\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMARK NIXON\n\n\n\n\n\n\n\n\n[mashshare]\n\n\n\n\n\n\nProgramme\n\n\nWolfgang Amadeus Mozart (1756-1791)\nSonata No. 12 in F Major KV 332\nAllegroAdagioAllegro assai \n\nJohannes Brahms (1833-1897)\n6 Klavierstücke Op. 118Intermezzo in A minorIntermezzo in A MajorBallade in G minorIntermezzo in F minorRomanze in F MajorIntermezzo in E flat minor \n\nFrédéric Chopin (1810-1849)\nNocturne in D flat Major Op. 27 No. 2\nBallade No. 3 in A flat Major Op. 47 \n\n \n       \n\nDuration\nThis concert will last approximately 60 minutes\, with no interval.\n\nSouth African pianist Mark Nixon presents much loved works by Mozart\, Brahms and Chopin. Beginning with Sonata KV 332\, a work of striking cantabile\, vivid musical contrasts and lavish embellishments unusually written out by Mozart in the central Adagio\, Mark puts Brahms’ Sechs Klavierstücke at the heart of his performance. Comprising four Intermezzi\, a Ballade and a Romanze\, all contrasting in mood\, the six pieces are surreptitiously linked by a three-note motif\, cleverly transformed so that each one stands as an individualised jewel. This is followed by Chopin's D-flat Major Nocturne with an elegant ornamentation of its highly vocalised melody and Ballade No 3 in A flat Major inspired by Adam Mickiewicz’s poem Świtezianka. Whilst the composer has heavily redefined Nocturnes as a musical form departing from the simplicity of earlier compositions by John Field\, he is often considered as a pioneer of the Ballade as an abstract musical form. The third of Ballade by Chopin is a popular\, impassioned piece which ends in the triumphant key of A flat Major after a superbly conceived coda. \n\n\nBOOK TICKETS\n\n\n[AIGetTwitterFeeds ai_username='PianoWeekFest' ai_numberoftweets='3' ai_tweet_title='Your Title']
LOCATION:Moreton Hall\, Weston Rhyn | UK\, SY11 3EN\, Weston Rhyn
ATTACH;FMTTYPE=image/jpeg:https://pianoweek.com/wp-content/uploads/2018/05/29JUL18.jpg
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