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X-WR-CALNAME:PIANO WEEK International Festival & Summer School
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X-WR-CALDESC:Events for PIANO WEEK International Festival & Summer School
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20180802T191500
DTEND;VALUE=DATE:20200731
DTSTAMP:20260406T014901
CREATED:20180513T163223Z
LAST-MODIFIED:20180606T142627Z
UID:3548-1533237300-1533237300@pianoweek.com
SUMMARY:Niel du Preez in Recital
DESCRIPTION:\n\n\n\n\nPERFORMER\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nNIEL DU PREEZ\n\n\n\n\n\n\n\n\n[mashshare]\n\n\n\n\n\n\nProgramme\n\n\nFranz Schubert (1797-1828)\nSonata in B flat Major D960\nMolto moderatoAndante sostenutoScherzo. Allegro vivace con delicatezza - TrioAllegro ma non troppo - Presto \n\nClaude Debussy (1862-1918) and Alexander Scriabin (1872-1915)\nSix PréludesOp. 11 No. 1 – VivaceLa serenade interrompueOp. 11 No. 10 – AndanteCe qu’a vu le vent d’OuestOp. 11 No. 6 – AllegroLa cathedral engloutie \n\nJohann Sebastian Bach (1685-1750) / Franz Liszt (1811-1886)\nPrelude and Fugue for Organ in a minor BWV 543\n\n\n\n\n \n       \n\nDuration\nThis concert will last approximately 60 minutes\, with no interval.\n\nNiel du Preez opens his recital with Schubert’s gigantic final Sonata in B flat Major D960\, which shares a common dramatic arc with the first and the second of his last three piano sonatas. In all of these\, Schubert makes a considerable or sometimes identical use of cyclic motifs and tonal relationships to weave musical narratives throughout the works. Scriabin’s 24 Préludes represent impressions of the various places at which the composer performed whilst on his frequent concert tours. Three of his Préludes are grouped with three Debussy’s Préludes with the first demonstrating Spanish influences\, the second one of Debussy’s most virtuosic Préludes and the third filled with colour. Liszt’s transcription of the a minor Organ Prelude and Fugue of Bach is rhapsodic in nature and is played freely and with a variety of tempi. The Toccata-like prelude bears the marks of Bach's early\, north German-influenced style\, while the fugue could be considered a later product of Bach's maturity. \n\n\nBOOK TICKETS\n\n\n[AIGetTwitterFeeds ai_username='PianoWeekFest' ai_numberoftweets='3' ai_tweet_title='Your Title']
LOCATION:Moreton Hall\, Weston Rhyn | UK\, SY11 3EN\, Weston Rhyn
ATTACH;FMTTYPE=image/jpeg:https://pianoweek.com/wp-content/uploads/2018/05/02AUG18.jpg
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