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PRODID:-//PIANO WEEK International Festival &amp; Summer School - ECPv4.4.1.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:PIANO WEEK International Festival &amp; Summer School
X-ORIGINAL-URL:https://pianoweek.com
X-WR-CALDESC:Events for PIANO WEEK International Festival &amp; Summer School
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20170728T191500
DTEND;VALUE=DATE:20200731
DTSTAMP:20260406T183925
CREATED:20170629T202813Z
LAST-MODIFIED:20170724T155502Z
UID:2593-1501269300-1501269300@pianoweek.com
SUMMARY:Niel Du Preez in Recital
DESCRIPTION:\n\n\nPERFORMER\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nNIEL DU PREEZ\n\n\n\n\n\n\n[mashshare]\n\n\n\n\n\nProgramme\n\n\nJohann Sebastian Bach (1685-1750)/Ferrucio Busoni (1866-1924)\nChoral Prelude ‘Ich ruf zu dir\, Herr’ BWV 639 \nLudwig van Beethoven (1770-1827)\nSonata No. 23 in f minor Op. 57 ‘Appassionata’ \nAllegro assai\nAndante con moto\nAllegro ma non troppo – Presto\n\nClaude Debussy (1862-1918) & Alexander Scriabin (1872-1915)\n8 PreludesOp. 11 No. 1La cathedral engloutieOp. 11 No. 10La serenade interrompueOp. 11 No. 21La fille aux cheveux de linOp. 11 No. 6Ce qu’a vu le vent d’Ouest \n\nFranz Liszt (1811-1886)\nBallade No. 2 in b minor S. 171 \n\n\n       \n\nDuration\nThis concert will last approximately 60 minutes\, with no interval.\n\nNiel Du Preez opens his programme with Ferrucio Busoni’s transcription of Bach’s choral prelude ‘Ich ruf zu dir\, Herr’. Rich in art\, feeling and fantasy\, these compositions were designed to enable music lovers to revisit a familiar repertory through the transcriber’s art. One of the greatest and most technically challenging pieces Beethoven ever wrote\, his Appassionata\, follows next. After its thundery sound world\, full of emotional upheavals\, the South African pianist opens up new horizons with a carefully selected set of preludes by Debussy and Scriabin. Whilst Scriabin’s 24 Preludes Op. 11 represent impressions of the various places at which he performed while on his frequent concert tours\, Debussy’s 24 preludes are the workings of a master of colour and expression\, light and darkness\, harmony and melody as well as texture and rhythm. Liszt’s Ballade No. 2 written in 1853 during a time of personal turmoil brings the concert to a close.\n\nTICKETS: £6-12\nFREE ENTRY  for the festival’s participants.\n\n\n\n\n[AIGetTwitterFeeds ai_username='PianoWeekFest' ai_numberoftweets='3' ai_tweet_title='Your Title']
LOCATION:Moreton Hall\, Weston Rhyn | UK\, SY11 3EN\, Weston Rhyn
ATTACH;FMTTYPE=image/jpeg:https://pianoweek.com/wp-content/uploads/2017/06/28JUL17.jpg
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