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PRODID:-//PIANO WEEK International Festival &amp; Summer School - ECPv4.4.1.1//NONSGML v1.0//EN
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X-WR-CALNAME:PIANO WEEK International Festival &amp; Summer School
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X-WR-CALDESC:Events for PIANO WEEK International Festival &amp; Summer School
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20170402T193000
DTEND;VALUE=DATE:20200731
DTSTAMP:20260407T014323
CREATED:20170315T194638Z
LAST-MODIFIED:20170401T205430Z
UID:2354-1491161400-1491161400@pianoweek.com
SUMMARY:Niel Du Preez & Mark Nixon in Recital
DESCRIPTION:\n\n\nPERFORMERS\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nNIEL DU PREEZ\n\n\nMARK NIXON\n\n\n\n\n\n[mashshare]\n\n\n\n\n\n\n\n\n\nsupported by\n\n\n\n\n \n\n\n\n\nProgramme\n\n\nDomenico Scarlatti (1685-1757)\nSonata in d minor K213 \nAntonio Soler (1729-1783)\nSonata in D flat Major No.5 \nAlexander Scriabin (1872-1915)\n4 Preludes Op. 11 \nFranz Liszt (1811-1886)\nVallée d'Obermann\nWolfgang Amadeus Mozart (1756-1791)\nSonata in D Major KV 311 \n\nFranz Liszt (1811-1886)\nSchumann - Widmung \nMendelssohn - Auf Flügeln des Gesanges \nWagner - Isoldens Liebestod \n(Transcriptions) \n \n \n       \n\nDuration\nThis concert will last approximately 60 minutes\, with no interval.\n\nNiel du Preez opens his the recital with one of Scarlatti's more sombre Sonatas in d minor\, which demonstrates the composer’s typical use of binary form. This is followed by a fast-paced Soler’s Sonata\, which is unusually in the style of a Fandango - a spirited Spanish dance which was often accompanied by clapping or castanets. Followed by Scriabin's Preludes Op. 11\, written during the composer's first compositional phase at the end of the nineteenth century\, the recital slowly builds up to a virtuosic climax with  Liszt's Vallée d'Obermann.The second half of the programme opens with Mozart. Composed in Mannheim in 1777\, the first movement of the Sonata in D\, K311 is an orchestral-sounding ‘brio’ movement\, radiating exuberance. The song-like second movement has a profound poetical depth expressed in seemingly simple phrases. Among Mozart’s contemporaries\, only Joseph Haydn could occasionally match such a wealth of expression. The lengthy final movement is one of the composer’s hunting rondos in six/eight time. It also includes a small written-out cadenza and crowns this sonata with youthful vigour and much excitement. Nixon follows it with Liszt's most effective piano transcriptions - Schumann's Widmung; a declaration of love to his new wife Clara\, Mendelssohn's Auf Flugeln des Gesanges which depicts a dream-like place of love and bliss and the tragic Isoldens Liebestod from Wagner's opera Tristan und Isolde.\n\n\nFREE ENTRY  for the festival’s participants.\n\n\n[AIGetTwitterFeeds ai_username='PianoWeekFest' ai_numberoftweets='3' ai_tweet_title='Your Title']
LOCATION:Yi Fan International School\, Beijing | CN\, Shunyi District\, China
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