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X-WR-CALNAME:PIANO WEEK International Festival & Summer School
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20180327T190000
DTEND;VALUE=DATE:20200731
DTSTAMP:20260406T080918
CREATED:20180308T201935Z
LAST-MODIFIED:20180326T105002Z
UID:3307-1522177200-1522177200@pianoweek.com
SUMMARY:Roberto Russo in Recital
DESCRIPTION:\n\n\nPERFORMER\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nROBERTO RUSSO\n\n\n\n\n\n\n[mashshare]\n\n\n\n\n\nProgramme\n\n\nRoberto Russo (1966-)\n8 Piano PreludesC MajorA minorA sharp minor (in memory of all victims of the war in ex-Yugoslavia)G sharp minor (homage to Dmitri Shostakovich)E flat MajorF MajorF minorA sharp minor \nFranz Schubert (1797-1828)\nPiano Sonata in A Major D959AllegroAndantinoScherzo. Allegro VivaceRondo. Allegretto \n\n\n\n \n       \n\nDuration\nThis concert will last approximately 60 minutes\, with no interval.\n\nRoberto Russo opens the recital with his own Preludes\, written in 1995\, linked to a neo-romantic style with their harmonies and melodies.  They are a deeply personal work\, influenced by the most important writers of the early 20th century\, and they have been performed in Italy\, Poland\, Norway\, Romania and the USA.  Franz Schubert wrote his last three piano sonatas a few months before his death\, and for a very long time they were considered too difficult for an audience. They were not published until ten years after Schubert’s death\, and only in the second half of the 20th century did public and critical opinion call them masterpieces. In the first movement of Sonata in A Major the audience is caught in a harmonic labyrinth until its end. Profound but sweet\, the second movement is also obscure in its central theme whilst a resignation and reconciliation with the world is present in the final two movements.\n\n\n\n\n\n\n[AIGetTwitterFeeds ai_username='PianoWeekFest' ai_numberoftweets='3' ai_tweet_title='Your Title']
LOCATION:Moreton Hall\, Weston Rhyn | UK\, SY11 3EN\, Weston Rhyn
ATTACH;FMTTYPE=image/jpeg:https://pianoweek.com/wp-content/uploads/2018/03/roberto-russo.jpg
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