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PRODID:-//PIANO WEEK International Festival &amp; Summer School - ECPv4.4.1.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
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X-WR-CALNAME:PIANO WEEK International Festival &amp; Summer School
X-ORIGINAL-URL:https://pianoweek.com
X-WR-CALDESC:Events for PIANO WEEK International Festival &amp; Summer School
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20180326T190000
DTEND;VALUE=DATE:20200731
DTSTAMP:20260406T093501
CREATED:20180307T202216Z
LAST-MODIFIED:20180326T153724Z
UID:3299-1522090800-1522090800@pianoweek.com
SUMMARY:Samantha Ward in Recital
DESCRIPTION:\n\n\nPERFORMER\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSAMANTHA WARD\n\n\n\n\n\n\n[mashshare]\n\n\n\n\n\nProgramme\n\n\nJohannes Brahms (1833-1897)\n4 Klavierstücke Op. 119Intermezzo in B minorIntermezzo in E minorIntermezzo in C MajorRhapsody in E flat Major \nRobert Schumann (1810-1856)\nArabesque in C Major Op. 18Symphonic Etudes Op. 13Theme – AndanteEtude I – Un poco più vivoEtude II – AndanteEtude III – VivaceEtude IV – Allegro marcatoEtude V – ScherzandoEtude VI – AgitatoEtude VII – Allegro moltoEtude VIII – Sempre marcatissimoEtude IX – Presto possibileEtude X – Allegro con energiaEtude XI – Andante espressivoEtude XII – Allegro brillante \n\n\n\n \n       \n\nDuration\nThis concert will last approximately 60 minutes\, with no interval.\n\nArtistic Director Samantha Ward inaugurates the Easter edition of the festival with a programme of some of the most revered piano masterpieces by Brahms and Schumann. A collection of four character pieces Op. 119 composed four years before Brahms’ death constitutes his last work written for solo piano. What he wrote to Clara Schumann about the opening Intermezzo: ‘Every bar and every note must sound like ritardando\, as if one wanted to suck out melancholy out of each and every note\, lustily […]’ shines a bright light on the poetic and personal content of these works. After a rubato driven and fleeting Arabesque\, the audience is treated to a spellbinding display of virtuosity in Schumann’s early Opus 13. The Symphonic Etudes with all of their technical demands and dramatically interwoven outbursts of Schumann’s conflicting personality\, are a testament of the composer’s investigation into the possibilities of achieving orchestral timbre on the piano and his experimentation with textures and colours.\n\n\n\n\n\n\n[AIGetTwitterFeeds ai_username='PianoWeekFest' ai_numberoftweets='3' ai_tweet_title='Your Title']
LOCATION:Moreton Hall\, Weston Rhyn | UK\, SY11 3EN\, Weston Rhyn
ATTACH;FMTTYPE=image/jpeg:https://pianoweek.com/wp-content/uploads/2018/03/samantha.jpg
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