BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//PIANO WEEK International Festival & Summer School - ECPv4.4.1.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:PIANO WEEK International Festival & Summer School
X-ORIGINAL-URL:https://pianoweek.com
X-WR-CALDESC:Events for PIANO WEEK International Festival & Summer School
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190726T193000
DTEND;VALUE=DATE:20200731
DTSTAMP:20260429T140140
CREATED:20190630T163342Z
LAST-MODIFIED:20190630T170411Z
UID:4533-1564169400-1564169400@pianoweek.com
SUMMARY:Samantha Ward\, Maciej Raginia\, Madalina Rusu & Grace Yeo play Percy Grainger
DESCRIPTION:\n\n\n\nPERFORMERS\n\n\n\n\n\n\nSAMANHA WARD\nMACIEJ RAGINIA\n\n\n\n\n\n\nMADALINA RUSU\nGRACE EO\n\n\n\n\n\n[mashshare]\n\n\n\n\nProgramme\n\n\nPercy Grainger (1882 – 1961)\nEnglish Dance\nFor two pianos\, six hands\n\nGreen Bushes\nFor two pianos\, six hands\n\nJutish Medley\nFor two pianos\, six hands\n\nThe Warriors\nFor two pianos\, six hands\n\n\n\n\n\n\n\nDuration\nThis concert will last approximately 60 minutes\, with no interval.\n\n\n\n\n\n\nThe festival directors Samantha Ward and Maciej Raginia join forces with Romanian pianist Madalina Rusu and South Korean pianist Grace Yeo in a rare programme celebrating works for two pianos and six hands by Australian composer Percy Grainger. The evening opens with his fiery English Dance (1924)\, echoing Rachmaninoff’s virtuosic writing with its rich textures and emotionally charged compositional style. This is followed by Green Bushes (1921) for two pianos\, an arrangement of an English and a Scottish folk song dating back to the 1820s. The popularity of the original theme was aided by the success of William Buckstone’s melodrama A Hundred Years Ago (1845)\, in which the main character sings it on numerous occasions. The brisk melody in F Major soon unravels in all three piano parts in a meandering passacaglia\, which slowly draws the listeners into following its every turn. The concert comes to a close with the eclectic Jutish Medley (1927/1930)\, a movement from the composer’s Danish Folksongs Suite with its ‘elastic scoring’ set for two instruments to full-size orchestra. The tumultuous Warriors (1913 – 1916) interspersed with the lyricism of its slow melodic lines and sudden raptures of true orchestral writing forms the beating heart of tonight’s recital.\n\n\n\nBOOK TICKETS\n\n\n[AIGetTwitterFeeds ai_username='PianoWeekFest' ai_numberoftweets='3' ai_tweet_title='Your Title']
LOCATION:Moreton Hall\, Weston Rhyn | UK\, SY11 3EN\, Weston Rhyn
ATTACH;FMTTYPE=image/jpeg:https://pianoweek.com/wp-content/uploads/2019/06/26JUL19.jpg
END:VEVENT
END:VCALENDAR