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PRODID:-//PIANO WEEK International Festival &amp; Summer School - ECPv4.4.1.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:PIANO WEEK International Festival &amp; Summer School
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X-WR-CALDESC:Events for PIANO WEEK International Festival &amp; Summer School
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20180725T191500
DTEND;VALUE=DATE:20200731
DTSTAMP:20260429T172531
CREATED:20180513T102904Z
LAST-MODIFIED:20180606T144816Z
UID:3492-1532546100-1532546100@pianoweek.com
SUMMARY:Yuki Negishi in Recital
DESCRIPTION:\n\n\n\n\n\n\nPERFORMER\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nYUKI NEGISHI\n\n\n\n\n\n\n\n\n[mashshare]\n\n\n\n\n\n\nProgramme\n\n\nLudwig van Beethoven (1770-1827)\nSonata No. 2 in d minor Op. 31 "Tempest"\nLargo-AllegroAdagioAllegretto \n\nMichael Tippett (1905-1998)\nSonata No. 2 \n\nFranz Liszt (1811-1886)\nHarmonies poétiques et religieuses S.173No. 7 Funérailles\n\nNikolai Kapustin (1937-)\n24 Preludes in Jazz Style Op. 53Prelude No. 5 in D Major\nEight Concert Études Op 40No. 1 Prelude: Allegro Assai\n\n\n \n       \n\nDuration\nThis concert will last approximately 60 minutes\, with no interval.\n\nBeethoven’s Tempest Sonata\, written in 1801/1802\, is reminiscent of a violent storm with periods of calm and peacefulness. This sonata could be interpreted as Beethoven beginning to come to terms with his impending deafness through the anguish and despair of the Adagio\, contrasting rage and calm\, and the ferocious cadences and rhythms of the finale. Sir Michael Tippett was an English composer who rose to prominence during and immediately after the Second World War. His Sonata No. 2 (1962) is a one-movement work of thirty-eight sections in eight different tempi. Liszt’s Funérailles has been often interpreted as a funeral speech for Liszt’s friend Chopin\, however Liszt said that it was rather meant as a tribute to three friends who suffered in the failed Hungarian uprising against the Hapsburg rule in 1848. Nikolai Kapustin combines a distinctive blend of classical and jazz styles\, although all of his improvisations are written out\, breaking away from the freedom of jam sessions. \n\n\nBOOK TICKETS\n\n\n[AIGetTwitterFeeds ai_username='PianoWeekFest' ai_numberoftweets='3' ai_tweet_title='Your Title']
LOCATION:Moreton Hall\, Weston Rhyn | UK\, SY11 3EN\, Weston Rhyn
ATTACH;FMTTYPE=image/jpeg:https://pianoweek.com/wp-content/uploads/2018/05/25JUL18.jpg
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