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PRODID:-//PIANO WEEK International Festival &amp; Summer School - ECPv4.4.1.1//NONSGML v1.0//EN
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X-WR-CALNAME:PIANO WEEK International Festival &amp; Summer School
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X-WR-CALDESC:Events for PIANO WEEK International Festival &amp; Summer School
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190716T190000
DTEND;VALUE=DATE:20200731
DTSTAMP:20260405T214239
CREATED:20190531T173304Z
LAST-MODIFIED:20190603T213054Z
UID:4279-1563303600-1563303600@pianoweek.com
SUMMARY:Yuki Negishi in Recital
DESCRIPTION:    \n\n\n\nPERFORMER\n\n\n\n\n\n\nYUKI NEGISHI\n\n\n\n\n\n\n[mashshare]\n\n\n\n\nProgramme\n\n\nFrédéric Chopin (1810-1849)\nFantaisie in F minor Op. 49\nBerceuse in D flat Major Op. 57\nBallade No. 3 in A flat Major Op. 47\nScherzo No. 3 in C sharp minor Op. 39\n\n\n\nAmy Beach (1867-1944)\nDreaming Op. 15 No. 3\nTyrolean Valse-Fantaisie Op. 116\n\nNikolai Kapustin (1932 – )\nPiano Sonata No. 1 Op. 39  ‘Sonata – Fantasia’\nIV. Allegro Molto\n\n\n\n\n\nDuration\nThis concert will last approximately 60 minutes\, with no interval.\n\n\n\n\n\n\nOpening the recital with Chopin’s Fantasie in F minor\, Japanese concert pianist Yuki Negishi presents an inspiring programme of solo piano works spanning two centuries. Not long after the gently swaying Berceuse and its unravelling set of filigree variations come to an end\, the listeners are treated to one of Chopin’s greatest compositional achievements: Ballade in A flat Major. An exuberant work\, claimed to have been inspired by Adam Mickiewicz’s poem Świtezianka precedes Chopin’s Scherzo No. 3. Written in Valldemossa\, it is the most terse\, ironic and tightly constructed of the four Scherzos\, with an almost Beethovenian grandeur. The evening continues with works by Amy Beach\, regarded as the first successful American female composer. Her Gaelic Symphony\, premiered by the Boston Symphony Orchestra in 1896\, was the first ever symphony composed and published by an American woman. Beach’s style is mainly Romantic\, often compared to that of Brahms and Rachmaninoff. The recital concludes with Allegro Molto\, the final movement of Nicolai Kapustin’s Sonata - Fantasia. Written in 1984 this highly virtuosic work\, full of syncopated rhythms and jazz harmonies is a true tour de force for the performer with its fourth movement\, a full-blown sonata form\, happily existing as a separate entity.\n\n\nBOOK TICKETS\n\n\n[AIGetTwitterFeeds ai_username='PianoWeekFest' ai_numberoftweets='3' ai_tweet_title='Your Title']\n
LOCATION:Via Aurelio Saffi 33\, Foligno | IT\, Italy\, 06034 Foligno (Pg)\, Italy
ATTACH;FMTTYPE=image/jpeg:https://pianoweek.com/wp-content/uploads/2019/05/16JUL19.jpg
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