WHAT'S ON

BOOK TICKETS

GET IN TOUCH

X

DISCLAIMER

  1. The organisers of PIANO WEEK will make every effort to ensure the health and safety of every child attending the festival whilst on any premises hired by us. To support us in this process, parents (or nominated guardians) must attend and supervise children under their responsibility whilst the children participate at the festival.
  2. All deposits are non-refundable. Once full payment of the festival fees has been made, they are non-refundable. The only exception is in the instance where a participant is unable to attend due to health issues, whereby a doctor’s note must be presented to the organisers.
  3. Some of the practice rooms may be situated in buildings with limited or difficult access.  All participants and relatives take responsibility for their own safety when entering those areas.
X

HAFTUNGSAUSSCHLUSS | DE

  1. Die Organisatoren von PIANO WEEK werden alle Anstrengungen unternehmen, um die Gesundheit und Sicherheit jedes Kindes, das an dem Festival teilnimmt, auf allen von uns gemieteten Räumlichkeiten sicherzustellen. Um uns in diesem Prozess zu unterstützen, müssen Eltern (oder nominierte Erziehungsberechtigte) ihre Kinder im Alter bis zu 13 Jahren und während der gesamten Dauer des Festivals beaufsichtigen.
  2. Einzahlungen werden nicht zurückerstattet. Sobald die Zahlung der Festivalgebühren vollständig erfolgt ist, werden sie nicht zurückerstattet. Einzige Ausnahme hier ist, dass ein Teilnehmer aufgrund gesundheitlicher Probleme nicht teilnehmen kann, wobei den Organisatoren ein Arztbrief vorgelegt werden muss.
  3. Einige der Übungsräume können sich in Gebäuden mit begrenztem oder schwierigem Zugang befinden. Alle Teilnehmer und Verwandte übernehmen die Verantwortung für ihre eigene Sicherheit beim Betreten dieser Gebiete.
X

DICHIARAZIONE DI LIMITAZIONE DI RESPONSABILITÀ | IT

  1. L'Organizzazione di PIANO WEEK farà ogni sforzo per garantire la salute e la sicurezza di tutti i bambini che frequentano il festival, all'interno di tutti i locali da noi utilizzati. Per sostenerci in questo processo, i genitori (o tutori nominati) devono partecipare e sorvegliare i bambini fino a 13 anni di età per tutta la durata del festival.
  2. Tutti i depositi non sono rimborsabili. Una volta che il pagamento completo delle parcelle del festival è stato fatto, questo non è rimborsabile. L'unica eccezione è nel caso in cui un partecipante non è in grado di partecipare a causa di problemi di salute, per cui un certificato medico deve essere presentato agli organizzatori.
  3. Alcune delle sale di prova possono essere situate in edifici con accesso limitato o difficile. Tutti i partecipanti e i parenti si assumono la responsabilità per la propria sicurezza quando all'ingresso delle suddette sale.
X

免责声明

  1. 钢琴周的组织者会尽一切努力保证每个参加钢琴节的孩子在我们租用地点的健康与安全.在这个过程中,为了支持我们的工作,13岁及以下孩子的家长(或监护人)必须参加整个钢琴节活动并对孩子进行监督.
  2. 定金均不可退款.一旦节日费用全款成功提交,便不可进行退款. 唯一的例外是参加者由于健康问题而不能参加,以上交的医生证明为准.
  3. 一些练习室可能位于出入受限的楼群中,在进入这些区域时所有的参加者及其家人要自行负责自己的人身安全.
X

DISCLAIMER

  1. The organisers of PIANO WEEK will make every effort to ensure the health and safety of every child attending the festival whilst on any premises hired by us. To support us in this process, parents (or nominated guardians) must attend and supervise children under their responsibility whilst the children participate at the festival.
  2. All deposits are non-refundable. Once full payment of the festival fees has been made, they are non-refundable. The only exception is in the instance where a participant is unable to attend due to health issues, whereby a doctor’s note must be presented to the organisers.
  3. Some of the practice rooms may be situated in buildings with limited or difficult access. All participants and relatives take responsibility for their own safety when entering those areas.

* * *

X

HAFTUNGSAUSSCHLUSS

  1. Die Organisatoren von PIANO WEEK werden alle Anstrengungen unternehmen, um die Gesundheit und Sicherheit jedes Kindes, das an dem Festival teilnimmt, auf allen von uns gemieteten Räumlichkeiten sicherzustellen. Um uns in diesem Prozess zu unterstützen, müssen Eltern (oder nominierte Erziehungsberechtigte) ihre Kinder im Alter bis zu 13 Jahren und während der gesamten Dauer des Festivals beaufsichtigen.
  2. Einzahlungen werden nicht zurückerstattet. Sobald die Zahlung der Festivalgebühren vollständig erfolgt ist, werden sie nicht zurückerstattet. Einzige Ausnahme hier ist, dass ein Teilnehmer aufgrund gesundheitlicher Probleme nicht teilnehmen kann, wobei den Organisatoren ein Arztbrief vorgelegt werden muss.
  3. Einige der Übungsräume können sich in Gebäuden mit begrenztem oder schwierigem Zugang befinden. Alle Teilnehmer und Verwandte übernehmen die Verantwortung für ihre eigene Sicherheit beim Betreten dieser Gebiete.

* * *

X

DICHIARAZIONE DI LIMITAZIONE DI RESPONSABILITÀ

  1. L'Organizzazione di PIANO WEEK farà ogni sforzo per garantire la salute e la sicurezza di tutti i bambini che frequentano il festival, all'interno di tutti i locali da noi utilizzati. Per sostenerci in questo processo, i genitori (o tutori nominati) devono partecipare e sorvegliare i bambini fino a 13 anni di età per tutta la durata del festival.
  2. Tutti i depositi non sono rimborsabili. Una volta che il pagamento completo delle parcelle del festival è stato fatto, questo non è rimborsabile. L'unica eccezione è nel caso in cui un partecipante non è in grado di partecipare a causa di problemi di salute, per cui un certificato medico deve essere presentato agli organizzatori.
  3. Alcune delle sale di prova possono essere situate in edifici con accesso limitato o difficile. Tutti i partecipanti e i parenti si assumono la responsabilità per la propria sicurezza quando all'ingresso delle suddette sale.

* * *

X

免责声明

  1. 钢琴周的组织者会尽一切努力保证每个参加钢琴节的孩子在我们租用地点的健康与安全.在这个过程中,为了支持我们的工作,13岁及以下孩子的家长(或监护人)必须参加整个钢琴节活动并对孩子进行监督.
  2. 定金均不可退款.一旦节日费用全款成功提交,便不可进行退款. 唯一的例外是参加者由于健康问题而不能参加,以上交的医生证明为准.
  3. 一些练习室可能位于出入受限的楼群中,在进入这些区域时所有的参加者及其家人要自行负责自己的人身安全.

* * *

APPLY ONLINE
APPLY ONLINE
<
APPLY ONLINE

Please note that you will be required to pay a partial deposit towards the course fees at the time of submitting this application.


CHOOSE YOUR RESIDENCY



CHOOSE YOUR OPTION


CHOOSE YOUR PROGRAMME


CHOOSE YOUR PROGRAMME


FULL PRICE

Please note that you will be required to pay a partial deposit towards the course fees at the time of submitting this application.


REGISTER YOUR INTEREST




YOUR MUSICAL BACKGROUND

This cannot be guaranteed



I confirm that I accept and agree to the terms and conditions of my participation at Piano Week. READ OUR DISCLAIMER DE | IT | CN

By submitting this form, I ag­ree for my child­/my­self to be in­clu­ded in any fil­ming and pho­to­gra­phy, which may be used in Piano Week’s pub­li­ci­ty materials.

I would like to re­cei­ve in­for­ma­tion about the fes­ti­val’s new de­ve­lop­ments, re­ci­tals & ce­le­bri­ty con­certs in the fu­tu­re.

<
APPLY ONLINE

Please note that you will be required to pay a partial deposit towards the course fees at the time of submitting this application.


CHOOSE YOUR RESIDENCY



CHOOSE YOUR OPTION


CHOOSE YOUR PROGRAMME


CHOOSE YOUR PROGRAMME


FULL PRICE

A deposit of 20% of the course fees is payable at the time of submitting this application.


REGISTER YOUR INTEREST




YOUR MUSICAL BACKGROUND

This cannot be guaranteed



I confirm that I accept and agree to the terms and conditions of my participation at Piano Week. READ OUR DISCLAIMER DE | IT | CN

By submitting this form, I ag­ree for my child­/my­self to be in­clu­ded in any fil­ming and pho­to­gra­phy, which may be used in Piano Week’s pub­li­ci­ty materials.

I would like to re­cei­ve in­for­ma­tion about the fes­ti­val’s new de­ve­lop­ments, re­ci­tals & ce­le­bri­ty con­certs in the fu­tu­re.

Loading Events

« All Events

Aisa Ijiri in Recital

1 April | 7:00 pm

£3000
WHAT’S ON - 1ST APRIL 2019

PERFORMER
AISA IJIRI

Programme

Melanie Spanswick (1969- )

Aisa

Frenzy

Frédéric Chopin (1810-1849)

Nocturne in c minor Op. 48 No. 1

Ballade No. 4 in f minor Op. 52

Frédéric Chopin (1810-1849)/Franz Liszt (1811-1886)

Six Polish Songs S. 480
Moja pieszczotka/My darling (No. 5)

Franz Liszt (1811-1886)

Ballade No. 2 in b minor S. 171

Duration

This concert will last approximately 60 minutes, with no interval.


Japanese pianist Aisa Ijiri opens her recital with two works by British composer Melanie Spanswick. The swirling semiquvers of Frenzy moving in repetitive patterns up and down the piano keyboard eventually give place to an expressive and slightly sentimental mood of Aisa, written in 2018 and dedicated to tonight’s performer. This is followed by Chopin’s late C minor Nocturne with its solemn, mournful opening which gradually erupts into a flurry of cascading chords and double octaves underpinning the simple melody line. The composer takes this rhapsodic character yet further in Ballade No. 4 in F minor, which was finished only a year later (1842), by employing extended counterpoint throughout and successfully merging the sonata form with the variation form as means of developing the thematic material. A much simpler, but nonetheless exciting sound world is offered in Liszt’s transcription of one of Chopin’s best songs My Darling. Set to Adam Mickiewicz’s poem Moja Pieszczotka, the song tells a story of a man’s courtship with his beloved. Regarded as one of Liszt’s finest piano compositions, Ballade in B minor forms the climax of the recital, placing pianistic virtuosity with powerful broken octaves and scintillating scale work at the heart of its expressive vocabulary.

リサイタルについて

日本のピアニストの井尻愛紗が、イギリスの作曲家メラニー・スパンスウィックの2作品でリサイタルを開催する。繰り返し激しくピアノの鍵盤を上下させる楽曲『フレンジー』は、16分音符の情熱渦巻くような音色を奏で、やがて今夜の演奏者に捧げられ、2018年に書き上げられた『愛紗』によって、表情豊かでかすかに感傷的な音色へと移り変わる。続いてショパンが晩年に作曲した夜想曲ハ短調が披露され、厳粛で悲しげなオープニングに始まり、シンプルなメロディーラインを支えているカスケードコードとダブルオクターブが徐々に勢いを持ち始める。ショパンは、バラード第4番ヘ短調でこのラプソディックな特徴をさらに取り入れ、ソナタ形式と変奏曲形式をうまく組み合わせ、わずか1年でその楽曲を完成させた(1842年)。ショパンの中で最も優れた楽曲の1つである『私の愛しい人』は、フランツ・リストの編曲による非常にシンプルでありながらエキサイティングな音の世界をもって提供される。このアダム・ミツキェヴィチの詩であるMoja Pieszczotka(『私の愛しい人』)は、ある男性の最愛の女性に対する求愛の物語である。リストの最も優れたピアノ楽曲の1つと見なされている、バラード第2番ロ短調がリサイタルのクライマックスを形作り、その表現力豊かな語彙と共に、力強い分割オクターブときらめくようなスケールにピアニストの高度な技術が冴え渡る。

Your Title

PianoWeekFest @PianoWeekFest
PIANO WEEK  @PianoWeekFestRT @pianosam82:The count down is on - ten days until we leave for Japan, for PIANO WEEK Tokyo!!! https://t.co/ktTyqrmRwC… https://t.co/qwrGh28o63 
PIANO WEEK  @PianoWeekFestRT @pianosam82:Check out our new @PianoWeekFest testimonial video with thanks to @danieleciferri for his wonderful videography,… https://t.co/2Z7DVK8qGx 

Details

Date:
1 April
Time:
7:00 pm
Cost:
£3000

Venue

シンフォニー サロン・スタジオ
江東区深川2-4-8
Tokyo | JP, 東京135-0033 Japan
Phone:
東京135-0033

Tickets

2 available
Aisa Ijiri in Recital¥3,000.00Japanese pianist Aisa Ijiri opens her recital with two works by British composer Melanie Spanswick. The swirling semiquvers of Frenzy moving in repetitive patterns up and down the piano keyboard eventually give place to an expressive and slightly sentimental mood of Aisa, written in 2018 and dedicated to tonight’s performer. This is followed by Chopin’s late C minor Nocturne with its solemn, mournful opening which gradually erupts into a flurry of cascading chords and double octaves underpinning the simple melody line. The composer takes this rhapsodic character yet further in Ballade No. 4 in F minor, which was finished only a year later (1842), by employing extended counterpoint throughout and successfully merging the sonata form with the variation form as means of developing the thematic material. A much simpler, but nonetheless exciting sound world is offered in Liszt’s transcription of one of Chopin’s best songs My Darling. Set to Adam Mickiewicz’s poem Moja Pieszczotka, the song tells a story of a man’s courtship with his beloved. Regarded as one of Liszt’s finest piano compositions, Ballade in B minor forms the climax of the recital, placing pianistic virtuosity with powerful broken octaves and scintillating scale work at the heart of its expressive vocabulary.